The Key Editor is a seemingly straightforward MIDI editor, yet under its surface lie a number of features that can really speed up your editing tasks. We explain, as well as reporting on the new version 2. So it's perhaps no surprise that it received a great deal of attention in version 2 from Steinberg's developers, and although some users still feel it lacks a few of the finer points from the previous generation of Cubase, there's no doubt that the Key Editor remains one of the program's strongest assets.
Learning key commands is always a great way to speed up workflow in any app, and it's possible to achieve some quite detailed editing in the Cubase Key Editor using nothing more than cursor keys and a handful of modifiers. Using the left and right cursor keys, for example, enables you to step forwards and backwards through the note events in the editor. When you have more than one note event on the same beat, the order in which these are selected depends on the order in which they were entered into Cubase.
This order is the same as displayed in the List Editor and, other than opening this window at the same time, there's no real way to know in what order events will be selected, unless you're dealing with a monophonic line.
The temptation when navigating through the Key Editor with the cursor keys is to use the up and down keys to select the different notes in a chord. However, as you'll soon realise, these keys are reserved for transposing the selected note or notes higher or lower, in semitone steps.
To move the current selection up or down by an octave, press Shift at the same time as either of the cursor keys. This begs the question: what happens if you hold down shift while pressing the left and right cursor keys? Well, this works for selecting notes, in much the same way as described earlier, except that the previously selected note or notes stay selected as you extend the selection of notes further forwards or backwards in the event list.
For example, with a note selected, holding down Shift and pressing the right cursor key three times will select the next three notes in addition to the one that was already selected. VST Plugins. The majority of plugins hosted on Reverb run on both Mac and Windows operating systems. This plugin requires a bit plugin host. No luck in Cubase SX 2. I tried copying the. Im afraid you are SOL with this. More AusweisApp 2 1. More Steinberg Library Manager 3.
More CloneDVD 2 2. Descriptions containing steinberg cubase sx v2. More Bonjour 3. Bonjour, also known as zero-configuration networking, enables automatic discovery of computers, devices, and services on IP networks. Audio chipsets from Realtek are used in motherboards from many different manufacturers.
If you have such a motherboard, you can use the drivers provided by Realtek. SX 2 wants to look more professional which is the case but it is not as readable, some items having been reduced to a few pixels. However, the GUI can be softly personalized. My first test was to load a project recorded with SX 1. The import worked fine, no parameter seems to have been forgotten or to be incorrect.
Hmmm, after an hour spent to explore the software, I realized that I will have to make choices for this article, and it will be hard to do so! But the first thing which impressed me is the sound. But the difference is here, almost flagrant. Cubase SX 2. So, audio. I will try to sum things up by following the signal path. Cubase SX 2 introduces a new concept: virtual Input and Output buses. This means that you have to create buses to which you will affect the physical inputs and outputs of the Audio interface.
They can be mono, stereo, and surround up to 6 channels Cubase SX 2 is surround compatible from the beginning to the end of the audio process.
Virtual buses can then be individually assigned to each track of the mixer for example. Imagine the number of possible combinations! Then I added an audio track, sound input on and effects send to output bus, through a multi-effect and the input of the resulting signal in bus input! The input bus has a very important consequence: it is materialized by a dedicated track in the mixer, on which up to 8 effects and an EQ can be inserted. Now, you can directly add an effect during recording.
The interest is for example to have the possibility to add compression when recording voices. Also notice the phase switch and the gain level. After that, the signal goes into the mixer track. Nothing new until you want to add a Send effect. The effect send rack has simply disappeared! It will be shown as any other audio track in the mixer. Equalisation and Pan or Surround Pan are also available, and you can choose the output bus.
And that's not all! By calling this FX track on an Audio track, we see that the Send effects can also be directed to an FX track, a group or a virtual bus.
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